Challenge 1, Book 9: J

Book 9, and the final of the shortlisted titles is by Howard Jacobson.

J is my kind of book. I love novels set in dystopian worlds, because they dare to answer the ‘what ifs’ and really explore what society is capable of. In this case, the novel is set decades after an event known as what happened, if it happened.

What happened, although it’s never explicitly said, was the annihilation of the Jewish people – pretty much a modern-day Holocaust. Afterwards, shocked at what had happened, the powers that be decided that society would focus on being calm and quiet – art would only express beauty, songs would only sing about things like love and anything likely to rouse people would be quietly, but firmly, extinguished. Names were changed, so that everybody could start off afresh, on an equal footing, as one nation. And everybody learns to say ‘sorry’ all the time, whether they’re at fault or not.

All great, in theory, but without people to act as an ‘other’, the anger and distrust is redirected, and expresses itself in different ways. Violence is a common feature of this new society, whether it be people brawling in the street or domestic abuse.

In the midst of this situation are Ailinn and Kevern, who are brought together by those who have something in mind for them. They fall in love but ultimately, their own personal history and the forces that want them together lead to tragedy.

While neither Ailinn or Kevern are particularly sympathetic characters, and their relationship often comes across like they don’t even like each other, the setting of the novel really grabbed my interest. What people are capable of terrifies me and fascinates me in equal measure. I also subscribe to the idea that without somebody there to be an ‘other’ to you, your identity can get lost. The characteristics I value in myself – tolerance, for example – loses its meaning if there’s nobody intolerant for me to measure myself against.

Overall, this was one of the highlights from the shortlist for me, and if you enjoy books such as 1984 or Brave New World, you should give this a go.

Challenge 1, Book 8: How to be Both

Book 8 is How to be Both by Scottish author Ali Smith.

The book itself is divided into two sections, Camera and Eyes. Camera is set in the present-day and is the story of teenager George, who’s grieving over the recent death of her mother. Eyes is set in 15th century Italy and is the story of Francescho, a woman living as a man in order to have a career as a painter.

The author invites us at the beginning to read Camera and Eyes in the order you’d like. I began with Camera, which probably shaped my experience differently to those who started with Eyes.

This is the book I’ve enjoyed least out of the eight I’ve read so far. It’s not a bad book and I know quite a few people have given it glowing reviews. It just didn’t speak to me. I did like certain elements of it – George was a strong character, although a bit prickly and precocious, and Francescho’s story gave me some insight into the work of artists but overall, it just fell a bit flat for me.

I’m sure that a re-read would throw up a lot of parallels between the two sections, and layers of meaning that I’ve missed this time around but to be absolutely frank, I’m not sure I’ll ever re-read it.

On a side note, I also have to say that I really dislike the front cover. I understand why that photo was chosen, and I understand that the white background and typography is in keeping with previous books of Ali Smith, but it’s not a cover that would make me pick this book up if I saw it on a shelf.


So, with five of the six read in the shortlist, I’d rank them as follows:

1) To Rise Again at a Decent Hour
2) The Lives of Others
3) The Narrow Road to the Deep North
4) We Are All Completely Beside Ourselves
5) How to be Both

Having said that, my money is on The Narrow Road to the Deep North to win.

Challenge 1, Book 7: To Rise Again at a Decent Hour

Over halfway through! Yay! While not completely on schedule, I’m hoping to get through the remainder of the shortlist, at least, by the time the winner is announced. Thankfully, there’s no equivalent to ‘The Luminaries’ this year!


Where does this idea of greater connection come from? I’ve never in my life felt more disconnected. It’s like how the rich get richer. The connected get more connected while the disconnected get more disconnected. No thanks, man, I can’t do it. The world was a sufficient trial, Betsy, before Facebook.

Book 7 is To Rise Again at a Decent Hour by Joshua Ferris.

One of the six titles shortlisted for the Man Booker Prize, this book is about a New York dentist, Paul O’Rourke, who discovers that somebody is impersonating him online and using his name to spread a message about the Ulms – the descendants of a people called the Amalekites and whose only rule is that they must doubt the existence of God.

But… it’s also about much more than that. It’s about alienation and Paul’s search for belonging. It’s also about the meaning of faith and belief and traditions.

The character of Paul took me some time to warm up to. He’s unnecessarily abrasive at times and while amusing, he’s also deeply emotionally disturbed. He talks about the times he broke into an ex-girlfriend’s apartment to lie on her bed and cry into her pillows and while his description of it made me laugh, it’s not something that endeared him to me.

But as the novel goes on, we can see some of what made him who he is and we learn that while he has his faults, he also means well and just wants to belong somewhere. He never becomes likeable but we do start to begin to understand him. He’s alienated by the rituals that other people have, completely unable to understand the point of them – like rubbing hand lotion in when your hands are just going to get old and stiff anyway, or getting a dog when it’s just going to die and make you sad. At times he reminded me of an older Holden Caulfield – standing on the outside of society, not able to fit in. The difference though, is that Paul really wants to.

The closest thing he has to a belief system is in his support of the Red Sox. He has rules and rituals surrounding each game – he must watch each game from the start, he must tape each game (on video), he must have chicken and rice beforehand, he must never watch the sixth inning. He takes part in online forums about the Red Sox, which is the closest thing he has to community. But even baseball has let him down. When the Red Sox beat the ‘curse’ in 2004 and won, he felt like he didn’t know them any more. He also realised that them finally winning didn’t fundamentally change anything for him.

There’s interesting parallels between the different religious belief systems and the rituals people take part in in their everyday lives. As a dentist, Paul’s patients have faith in him but this expresses itself in different ways. The most interesting being the patient who visits him every six months because that’s what you’re supposed to do, waits when he’s told to because Paul is the dentist and he obeys his dentist, but then refuses to have his cavities filled because he feels fine.

On the whole, this book fascinated me (and made me want to visit a dentist). On a personal level, I’m from somewhere where Catholicism is beginning to lose its hold so the question of what replaces religion is one that interests me. Despite a couple of moments that jarred, I also enjoyed the character of Paul and his musings on the utter pointlessness of everything. It’s a book that’s very much of its time and while it seems to be getting mixed reviews on sites like Amazon/Goodreads etc, I think it’s a worthy nominee for the shortlist. I definitely see it as a book that could be studied in an English literature course in the future.

Challenge 1, Book 6: Orfeo

OrfeoBook 6 is Orfeo by Richard Powers. It’s the story of seventy-year-old Peter Els, a composer and hobby scientist, who finds himself on the run as a terrorist after his home-made lab was raided by Homeland Security.

Out of the six books I’ve read so far since this challenge started, this was the most difficult to get into. It opens with the police arriving at the door of Peter Els. His dog, Fidelio, had suffered a haemorrhage and in a panic, he’d dialled 911. While talking to Peter in his house, the police notice his lab and in a post 9/11 world, they get suspicious.

Incidentially, and slightly embarrassingly, for the first fifty pages, I was convinced this book was set in a dystopian world. The police are insistent that Peter call Animal Control rather than bury the dog in his own backyard. The idea of a government agency taking a pet’s body away just baffled me…

The police call Homeland Security in, who take samples of his work away for examination. What they find lead them to suspect Peter of being a terrorist, and in a panic, he decides to flee. What I loved, in particular, was the trial by media & social media and how random information can be used to condemn you if put together the right way. For example, following the first visit by Homeland Security, he goes online to investigate if it is really possible to grow something lethal in a lab – when he finds himself reading a recipe for how to create ricin from beans, I’m shaking my head in despair.

While this storyline forms the main plot, the majority of the novel deals with flashbacks of Peter’s life – his attempt to first discover, then create, music that moves the soul. His first relationship which led to his decision to major in music composition. The friendship that would influence his life and work. His marriage (and divorce) and the birth of his daughter – his ‘one perfect composition’.

Peter is a flawed character, but one I can identify with. All he wants is to leave something perfect behind – something that moves others in the way certain music once moved him. But as he discovers, when you’re striving for perfection, magnificent just doesn’t measure up.

In terms of the novel itself, it’s one that most definitely requires another reading. There are some amazing sections where particular compositions are explored in depth – in particular, Messaien’s Quartet For the End of Time, written and first performed when he was a POW in WWII.

I don’t want to say that Orfeo opened my eyes, because that’s both an exaggeration and a cliché but for those few hundred pages, it made me think about music differently. It’s another that didn’t make the shortlist for the Man Booker this year, but all I can say to that is that it’s in good company with History of the Rain

Challenge 1, Book 5: History of the Rain

imageBook 5 is History of the Rain by Irish writer Niall Williams. It’s the story of 19 year old Ruth Swain, who is bedbound in a small attic room in a Co. Clare village. With a possible terminal illness, she distracts herself by recounting her family history. Surrounded by her late father’s collection of books (3,958 to be exact), Ruth is determined to read each of them, to ‘discover’ her father in them. To do this, she needs to go back in time, starting with her father’s grandfather.

It’s a couple of weeks since I finished this book and it’s by far my favourite of the longlisted books I’ve read so far. I was very disappointed not to see it shortlisted. I’m sure that part of the reason I loved it so much was that, being from Ireland, the cultural references each hit the mark intended. The description of the ‘Aisling’ copybooks that Ruth and her father wrote in gave me a sense of nostalgia, the brief references to the recession resonated and the caricatures she drew of the people in her town made me laugh with familiarity (for example, the councillor who’s been known as ‘Saddam’ since going on a trade mission to Iraq).

The writing was beautiful, incredibly so. My only criticism would be that the Random Capitalisation of Key Phrases was a bit jarring at the start. But apart from that, there’s so much to praise that I don’t actually feel like I can do the book justice. Quite simply, I loved it. It was so ‘Irish’ but not in a depressing, maudlin sense – it was just the country I know.

This is my first time to read something written by Niall Williams, but it definitely won’t be my last and I’m delighted to have discovered such a writer that I may not have tried otherwise.

Challenge 1, Book 4: The Narrow Road to the Deep North


When, on 25 October 1943, steam locomotive C 5631 travels the length of the completed Death Railway – the first train to do so – towing its three carriages of Japanese and Thai dignitaries, it will be past endless beds of human bones that will include the remains of one in three of those Australians.

Book Number 4 is The Narrow Road to the Deep North by Australian writer Richard Flanagan.

It revolves around Dorrigo Evans, an Australian doctor who achieves war hero status for the part he played in a POW camp in Siam during the 1943 construction of the ‘Death Railway’ – a 415km railway stretching from Thailand to Burma.

The conditions of those building this railway, ordered by the Emperor of Japan, are quite simply, hell on earth. The POWs are starved and beaten and forced to work day and night. They’re dressed in nothing but filthy rags tied around their waists, and a pair of boots can literally mean the difference between life and death to them. Cholera sweeps through the camp, taking almost everyone it touches and the filth and squalor, assisted by the monsoon season, lead to ulcers, ringworm, malaria, dysentery and countless other diseases.

The middle section of the novel focuses on the events that take place over the space of a couple of days during the ‘Speedo’ – a period of time in which POWs were forced to work 16-hour days to construct the railway as quickly as possible. From a variety of perspectives, we see what daily life was like as a POW. We also get a glimpse into the mind of one of the Japanese officers and his motivations and beliefs.

Dorrigo Evans shines in this particular section. Refusing to be treated as anything less than an equal, he fights for his men in every way he can. Whether it’s negotiating over the number of men needed to work on a detail or operating on a man whose chance of survival is slim, he is the very definition of a hero, a leader, a man that can be looked up to. Part of this is construct – when offered a steak, he orders that it be taken to the sick, knowing that this story will be told and become part of his legend. But this story, he knows, is a necessity to the men he leads, and it is also a necessity to him, to help him continue the work he’s doing.

I cannot fault the middle section of this novel at all. It’s not comfortable reading but it gives an insight into a brutal period of history that deserves to be remembered. After finishing the novel, I found out that Richard Flanagan’s own father was one of the POWs who worked on the Death Railway, and this, perhaps, is one of the reasons why this particular section is so strong.

The rest of the novel, especially in comparison to this, is more miss than hit for me. It actually reminds me a lot of Sebastian Faulks’ Birdsong, which I only read for the first time last year. Birdsong was a book that I’d looked forward to reading for years but when I did, I was left underwhelmed by large parts of it. Similar to Narrow Road, I disliked the love story but was mesmerised by the descriptions of trench warfare. Both are novels I’d recommend, but only for the parts that focus on their respective wars.

Do I think it will win the Booker? … I don’t know. For me, it just misses the mark. But, with the rave reviews its getting in Australia and its Birdsong-like composition, it wouldn’t surprise me if it did win.

Disclaimer: I received a free Kindle edition of this book through NetGalley.

Challenge 1, Book 3: The Lives of Others


I’ll start by saying how much I love the cover of this book. The colours used, the simplicity of the design, the font – this is definitely a book I would have picked up if I saw it on the shelf in a bookstore.

Set in Calcutta, The Lives of Others is the story of one dysfunctional extended family, all living in the same four-storey house: Prafullanath and Charubala Ghosh, their three sons, four daughters-in-law, one daughter and six grandchildren. We also learn about Madan, their servant of thirty years.

The main thread of the story follows Supratick, the eldest grandchild, who has left university and joined the Naxalbari movement – a Maoist-inspired guerrilla group, fighting for the rights of the rural Indian farmers who are being exploited by landowners. Supratick, with two other members of the Naxalbari, leaves his comfortable home in Calcutta and moves to a small village, believing that an uprising can only happen if he immerses himself in the culture of the people he is fighting for. His story is told in a series of (unmailed) letters, and we don’t find out who he is writing to immediately.

In alternating chapters, we are introduced to the other characters in the household. Each of them has their own demons to battle. While I won’t go through them all, I will talk about the sons and daughter. Adinath, the eldest son, has been forced to run a business that he has no passion for and has turned to alcohol to cope. Priyo, the second son has an… unusual… sexual preference, described in all its gory detail.  Chhaya, the only daughter was born dark-skinned and with a lazy eye. The combination, and her somewhat abrasive personality, meant that she was never matched successfully with a husband and her bitterness at this takes the form of her now seeking to cause as much disharmony within the household as she can.

Bhola, the third son, is lacking common-sense, but has an appetite for telling stories and tries to fund struggling writers with the publishing branch of the family business. Somnath, the youngest son, passed away before the novel opened. His widow lives on the ground floor of the house with her son and daughter, but for reasons we don’t learn about straight away, they are treated more like pariahs than members of the family.

I loved the descriptions of the everyday lives of the Ghosh family and their individual (and mostly petty) concerns, and those sections were the most ‘enjoyable’ to read. However, while not as easy to read, the meat of the novel, for me, lies in the story of Supratick and the actions he takes as part of the Naxalbari movement. It raises interesting questions about the lengths that one should go to in the fight for justice, whether the end can ever justify the means and most importantly, where your loyalties should lie. It also gave me a lot of information about class politics and their history in India and it cleverly shows how these issues are still relevant, and that the seeds sown in the 1960s continue to bear fruit today.

The strength of the novel is in the language used. Mukherjee makes no attempt to talk down to his readers – he uses words from the Bengali dialect and plenty of English words that … well, let’s just say the ‘look up’ function on my Kindle came in handy. He also has some incredible descriptive passages – there were a couple of scenes (one in particular near the end) in which I was almost reading through my fingers because I was so affected by what was on the page.

Do I think it will win the Booker? Out of the three longlisted novels I’ve read so far, this is definitely the one that strikes me as most traditionally ‘Booker-winning’ – it’s also the one I’d recommend most. I’ll just have to see what the other ten have in store.

Disclaimer: I received a free Kindle edition of this book through NetGalley.